Tag Archives: Sandra Cisneros

Books Acquired Recently: MLA Edition

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Last week I went to the annual Modern Language Association (MLA) convention, which was in Philadelphia this year. It was my third time attending MLA, and as usual one of the highlights of my trip was going to the Book Fair. It seemed like there were fewer publishers there this year, but I still managed to come away with ten books! All of the publishers had sales, and I actually got four of the books (Cisneros, Hass, Karr, McCloud) for free.

Cisneros, Sandra. A House of My Own: Stories from My Life. 2015. New York: Vintage Books, 2016.

Random House was giving out free books in exchange for signing up for their email list, and this patchwork memoir was the most intriguing of the books eligible for the offer.

Cruz, Ariane. The Color of Kink: Black Women, BDSM, and Pornography. New York: New York University Press, 2016.

BDSM is one of my major scholarly interests and it excites me how there are more and more academic studies of it being published.

Cvetkovich, Ann. Depression: A Public Feeling. Durham, NC: Duke University Press, 2012.

I adored Cvetkovich’s An Archive of Feelings when I read it earlier this semester, so I decided to check out this newer volume.

Gillot, Alain. The Penalty Area. Trans. Howard Curtis. New York: Europa Editions, 2016.

This lovely little novel that I’ve already finished is about a French youth soccer team. Happily, not only is it about soccer, but chess also plays a significant role.

Gray, Mary L., Colin R. Johnson, and Brian J. Gilley, ed. Queering the Countryside: New Frontiers in Rural Queer Studies. New York: New York University Press, 2016.

I have read very little on rural queer experience, and bought this new reader in order to help remedy this lack.

Hass, Robert. A Little Book on Form: An Exploration Into the Formal Imagination of Poetry. New York: Ecco, 2017.

I love both Hass’s poetry and his writing about poetry, and was thus excited to see that he has this new book (which, at over 400 pages, is not “little”) out.

Hoang, Nguyen Tan. A View from the Bottom: Asian American Masculinity and Sexual Representation. Durham, NC: Duke University Press, 2014.

I have been trying to read as much work at the intersection of race/ethnicity and queer theory as possible recently, but have not yet read anything about the Asian queer experience.

Karr, Mary. The Art of Memoir. 2015. New York: HarperPerennial, 2016.

I have been writing more and more creative nonfiction lately, but without reading much theory on how to do so. I thought reading this book would be helpful as I continue to pursue this writing.

McCloud, Scott. Understanding Comics: The Invisible Art. New York: William Morrow, 1993.

It is terrible that I still haven’t read this classic text even though I have taught graphic narratives in a number of courses. But there’s nothing like the impetus of getting it for free!

Rabinowitz, Paula. American Pulp: How Paperbacks Brought Modernism to Main Street. Princeton, NJ: Princeton University Press, 2014.

I love pulp paperbacks and was thus very excited to find this history of them and their influence.

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The New Site Photograph

I just updated the main photograph for the site (what Facebook would call the “cover photo”). It is a picture of one of my favorite shelves in the poetry section of my library. The photograph includes some of my favorite poets and one of my favorite books of poetry, William Blake’s Songs of Innocence and of Experience, which is a beautifully reproduced combined volume of Blake’s engravings for Songs of Innocence and Songs of Experience published by Oxford University Press.

Blake is followed on the shelf by Di Brandt, my second favorite poet after Frank O’Hara. I have all of her books (her first collection, questions i asked my mother, is still my favorite), as well as a selection of her poems edited by Tanis MacDonald. Gwendolyn Brooks is next. Her Selected Poems only goes through 1963, so I have several of her later collections as well, which I enjoy not only for their content but also aesthetically, as I am a collector of old Broadside Press volumes.

Sterling A. Brown’s Collected Poems, which I read for my Ph.D. exams and thus feel sentimental towards, follows. Ana Castillo’s My Father Was a Toltec and Selected Poems contains some enjoyable work, although I prefer her fiction.

Other highlights on the shelf are C.P. Cavafy’s Complete Poems, which I enjoy because of their unabashed homoeroticism, and Sandra Cisneros’s Loose Woman, which is one of the best single collections of poems that I’ve ever read. I read a lot of Lucille Clifton when I first began investigating poetry, and think of her fondly even though I haven’t returned to her work for some time.

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