Tag Archives: Andrea A. Lunsford

Books Acquired Recently: W.W. Norton Edition

I recently received a visit from my local W.W. Norton representative, and just received a number of exam copies that I requested during our meeting.

Appiah, Kwame Anthony. Cosmopolitanism: Ethics in a World of Strangers. 2006. New York: Norton, 2007.

I have wanted to read this book since I saw Appiah speak in 2012. The world seems more and more fractious, thus I am excited to explore his ideas for how cultures can work to come together.

Burgess, Anthony. A Clockwork Orange. 1962. Ed. Mark Rawlinson. New York: Norton, 2011.

I have also wanted to read this book for quite some time. Norton’s Critical Editions of older texts have always been excellent, and I am happy to see that in recent years they have begun expanding this series to include more recent texts.

Carr, Nicholas. The Shallows: What the Internet is Doing to Our Brains. 2010. New York: Norton, 2011.

The loss of reading skills, intellectual curiosity, and print culture as a result of the rise of the internet is a constant worry of mine. I have tried to teach about this issue in my writing courses several times, but my students find many of the texts on this subject unengaging. Carr’s book looks like it might provide a solution to this problem.

Defoe, Daniel. A Journal of the Plague Year. 1722. Ed. Paula R. Backsheider. New York: Norton, 1992.

I love Defoe’s work, and have been wanting to read this book as a result of my recent explorations of psychogeography because it has been adopted as one of the foundational texts of the field.

Le Guin, Ursula K., and Brian Attebery, eds. The Norton Book of Science Fiction: North American Science Fiction, 1960-1990. New York: Norton, 1993.

When I told the Norton representative that I am interested in science fiction and sometimes teach it, he mentioned this anthology. I was aware of it, but was surprised to find that it is still in print. I like that it is organized year-by-year based on when the pieces it includes came out rather than by the birth dates of its authors as most Norton anthologies are. The former method allows readers to get a better sense of how the field has developed.

Lunsford, Andrea, et al., eds. Everyone’s An Author, with Readings. New York: Norton, 2013.

I am using another one of Lunsford’s anthologies in my current composition course, but this new one looks like it does a better job of encouraging students to claim their already-extant identities as writers.

Poe, Edgar Allan. The Selected Writings of Edgar Allan Poe. Ed. G.R. Thompson. New York: Norton, 2004.

I love Poe and normally teach him in my American Literature to 1865 course. However, most collections of his work focus only on one genre, whether poetry or short story. This edition includes a number of examples from each genre as well as Poe’s one novel. It is by far the most superior edition of his works that I have seen.

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Books Acquired Recently: Retiring Colleague Edition

One of my colleagues is retiring after this semester, and she gave me some of her books dealing with African American literature because it is one of my research interests. I am happy to preserve some of her library by integrating it into my own. Several of the paperbacks are from the 1970s and have some seriously groovy covers.

I also just got three more desk copies for next semester in the mail, so it was a good day for books!

Chesnutt, Charles W. The Portable Charles W. Chesnutt. Ed. William L. Andrews. New York: Penguin, 2008.

I have another collection of Chesnutt’s short stories published by Mentor, but this volume also includes Chesnutt’s novel The Marrow of Tradition and some essays. And, of course, it is always good to acquire a Penguin paperback.

Fitzgerald, F. Scott. The Great Gatsby. 1925. New York: Scribner, 2004.

Sadly, the earlier Scribner paperback edition that I was assigned in high school and have myself assigned previously is now out of print. This one was necessary to acquire because it has different page numbers.

Flowers, Arthur. Another Good Loving Blues. 1993. New York: Ballantine, 1994.

This book is inscribed by the author.

Gilyard, Keith, ed. Spirit & Flame: An Anthology of Contemporary African American Poetry. Syracuse: Syracuse UP, 1997.

This one is also inscribed by the author.

Klosterman, Chuck. Downtown Owl. 2008. New York: Scribner, 2009.

I have taught some of Klosterman’s essays before, but next semester will be the first time I teach any of his fiction. I am excited to see what my students think of him. I think they will love this book, but their tastes often surprise me.

Lunsford, Andrea A., John J. Ruszkiewicz, and Keith Walters. Everything’s An Argument, with Readings. 6th ed. Boston: Bedford, 2013.

I’ll be using this book in my writing class for the first time in about a decade. I enjoyed it before, then tried other strategies and texts, and now have decided to go back to it and see how it has aged as a text and how I have aged as an instructor.

McKay, Claude. Banana Bottom. 1933. San Diego: Harvest, 1961.

This book has a price tag from the Strand on the front cover! It was on sale for $1.95–regularly $6.95.

Reed, Ishmael. The Last Days of Louisiana Red. 1974. New York: Bard, 1976.

I’ve enjoyed the bit of Reed’s fiction that I have read in the past, and look forward to reading this novel. The blurb on the front cover from the Village Voice calls it a “saucy underground classic.” Say no more!

Toomer, Jean. Cane. 1923. New York: Norton, 2003.

I have the Liveright edition of this novel, but it’s always nice to have a copy of one of Norton’s critical editions as well.

Washington, Mary Helen, ed. Black-Eyed Susans: Classic Stories by and About Black Women. New York: Anchor, 1975.

Morrison, Walker, Bambara, et al. A great period piece.

Yerby, Frank. The Vixens. New York: Dial, 1947.

This nearly seventy-year-old book is in excellent condition.

Youngblood, Shay. Soul Kiss. 1997. New York: Riverhead, 1998.

The least-exciting looking book of the bunch, but it was good enough to make it into paperback, so we’ll see.

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