Books Acquired Recently

Gerrold, David. The Man Who Folded Himself. Rev. ed. Dallas: BenBella Books, 2003.

I just received this speculative fiction novel as a gift. Apparently it’s famous because the main character time travels and has sex with his past self.

Hossack, Darcie Friesen. Stillwater. New Westminster, BC: Tidewater Press, 2023.

Thirteen years after her first book, Mennonites Don’t Dance, Hossack is back with her second, a novel. This gap is a great reminder that being a writer is about writing, not necessarily about publishing. The writing will always be there for you when you are ready to return to it.

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Books Acquired Recently: Queer Strand Edition

I was given some money as a graduation gift, so I decided to make a trip to the Strand to spend some of it. I bought books by two queer Black authors.

Johnson, George M. All Boys Aren’t Blue: A Memoir-Manifesto. New York: Farrar, Straus and Giroux, 2020.

I love queer memoirs, and I especially love banned queer memoirs because FUCK YOU BOOK BANNERS, so I’ve had this book on my list for a while. I finally have time to read it, so it was time to buy it.

Taylor, Brandon. The Late Americans. New York: Riverhead Books, 2023.

I love Taylor’s first novel, Real Life, and also enjoyed his collection of short stories, so I had the publication of his new novel on my calendar to buy it ASAP. The Strand had a bunch of signed copies, which was an unexpected bonus.

Books Acquired Recently

Hyde, Lewis. The Gift: How the Creative Spirit Transforms the World. 3rd ed. New York: Vintage Books, 2019.

Someone recently recommended this book to me and it sounded interesting as something to read as I’m finishing my MFA, so I decided to buy it.

Irby, Samantha. Quietly Hostile: Essays. New York: Vintage Books, 2023.

I love Irby’s work, so I pre-ordered this book as soon as I heard about it. It arrived this morning.

Writing Activity, April 2023

Since January 2021, I’ve been keeping a list of my writing activity for each month (here’s last month’s). I do so partly as a form of encouragement for myself to show that I am still able to do some writing despite the energy-sucking terrors of our times, and partly as an archive that I can look back on in the future. As such, I will include negative happenings (e.g., receiving rejections), not just positive ones.

I think that it is important for me to share my list publicly as a queer disabled Latinx writer because mainstream discourse tries to either pretend voices such as mine do not exist or actively tries to suppress them. Whether one is part of a marginalized group or not, writing is an essential act of resistance in these terrible times, so I hope that my list offers encouragement to others.

The list is basically in chronological order.

1. Wrote a haiku or senryu on most mornings.

2. Had my last two MFA workshops and submitted my thesis.

3. Had the eight poems I submitted to Frogpond last month rejected.

4. Got my most recent royalty statement for Queering Mennonite Literature. I earned $16.69 over the past half year. #PublishingPaidMe

5. Submitted five poems to the 2023 Haiku Society of America members’ anthology and heard back from the editor about which one they will include (everyone who submits has one selected).

6. Had an essay abstract I submitted to a collection rejected.

7. Had my memoir rejected by a contest.

8. Had a review of Field Language: The Painting and Poetry of Warren and Jane Rohrer, edited by Julia Spicher Kasdorf, Christopher Reed, and Joyce Henri Robinson published in Religion & Literature.

Writing Activity, March 2023

Since January 2021, I’ve been keeping a list of my writing activity for each month (here’s last month’s). I do so partly as a form of encouragement for myself to show that I am still able to do some writing despite the energy-sucking terrors of the pandemic (Which is still going on! Keep wearing masks!), and partly as an archive that I can look back on in the future. As such, I will include negative happenings (e.g., receiving rejections), not just positive ones.

I think that it is important for me to share my list publicly as a queer disabled Latinx writer because mainstream discourse tries to either pretend voices such as mine do not exist or actively tries to suppress them. Whether one is part of a marginalized group or not, writing is an essential act of resistance in these terrible times, so I hope that my list offers encouragement to others.

The list is basically in chronological order.

1. Wrote a haiku or senryu on most mornings.

2. Updated the Mennonite/s Writing Bibliographies.

3. Continued my MFA coursework and had a short story workshopped.

4. Finished the second round of copyedits for my forthcoming book Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature.

5. Had a short personal essay published in healthline zine.

6. Submitted fifteen poems to Modern Haiku and had one accepted for the next issue.

7. Submitted eight poems to Frogpond.

8. Attended AWP‘s annual conference (and bought a lot of books).

9. Had a short story rejected by a journal.

10. Organized a panel on Samuel R. Delany for the Modern Language Association’s 2024 convention.

11. Received the cover image for my forthcoming book:

Books Acquired Recently

Bucknell, Clare. The Treasuries: Poetry Anthologies and the Making of British Culture. London: Head of Zeus, 2023.

Poetry anthologies have literally been life-changing for me, so when I first saw on Twitter that Bucknell was writing this book a year or so ago I made a note to keep an eye out for it. I ordered it right after it came out recently and my copy finally arrived from England this week. (Sadly, the book isn’t in print in the U.S. yet.)

Faliveno, Melissa. Tomboyland: Essays. New York: Little a/TOPPLE Books, 2020.

I received this book from my sister as a birthday gift.

Hester, Jessica Leigh. Sewer. New York: Bloomsbury Academic, 2023.

Hester, a Hunter College alum, is speaking in one of my MFA classes next week. I bought her book to read in anticipation of her visit.

Books Acquired Recently: AWP Edition

I attended AWP‘s annual conference this past week and came back with lots of books! Here’s what I got, with some explanatory notes as necessary.

Akbar, Kaveh. Pilgrim Bell: Poems. Minneapolis: Graywolf Press, 2021.

I attended a panel that Akbar was part of and had him sign this book afterwards. He was incredibly sweet and generous even in this brief interaction.

Bar-Nadav, Hadara. The New Nudity. Ardmore, PA: Saturnalia Books, 2017.

Bashō, Matsuo. Bashō: The Complete Haiku. Translated by Jane Reichhold. New York: Kodansha USA, 2013.

I whetted my appetite for the book fair by doing some shopping at Open Books the night before, where I bought this and Gay’s book.

Dale, Laura Kate, ed. Gender Euphoria: Stories of Joy from Trans, Non-binary and Intersex Writers. London: Unbound, 2021.

I got this anthology for only $5.00!

Gay, Ross. Inciting Joy: Essays. Chapel Hill, NC: Algonquin Books of Chapel Hill, 2022.

I read this book on the flight home yesterday and it is fantastic.

Hernandez, Alex, Matthew David Goodwin, and Sarah Rafael García, eds. Speculative Fiction for Dreamers: A Latinx Anthology. Columbus, OH: Mad Creek Books, 2021.

I also got this anthology for only $5.00!

Hostetter, Mary Alice. Plain: A Memoir of Mennonite Girlhood. Madison: University of Wisconsin Press, 2022.

Hostetter is a queer Mennonite, so I am very excited to read this book.

Huber, Sonya. Cover Me: A Health Insurance Memoir. Lincoln: University of Nebraska Press, 2010.

—. Pain Woman Takes Your Keys and Other Essays from a Nervous System. Lincoln: University of Nebraska Press, 2017.

Jones, Saeed. Prelude to Bruise. Minneapolis: Coffee House Press, 2014.

Kaminsky, Ilya. Deaf Republic: Poems. Minneapolis: Graywolf Press, 2019.

Kasdorf, Julia Spicher. As Is: Poems. Pittsburgh: University of Pittsburgh Press, 2023.

Kelly, Donika. The Renunciations: Poems. Minneapolis: Graywolf Press, 2021.

Kuppers, Petra. Gut Botany. Detroit: Wayne State University Press, 2020.

Kuppers had a signing and I arrived there just in time to get the last copy of this poetry collection. Kuppers had different colored pens for people to choose from, so I chose green for my copy’s inscription.

Lerner, Ben. Leaving the Atocha Station. Minneapolis: Coffee House Press, 2011.

Liu, Timothy. Polytheogamy. Philadelphia: Saturnalia Books, 2009.

Lopera, Julián Delgado. Fiebre Tropical. New York: Feminist Press, 2020.

The Quran. Translated by Maulana Wahiduddin Khan and Farida Khanam. Delhi: Goodword Books, 2009.

An organization focusing on spirituality and literature was handing copies of this book out for free, and my other copy is a much older translation (so old it translates the title as The Koran), so I took this one.

Sulak, Marcela, and Jacqueline Kolosov, eds. Family Resemblance: An Anthology and Exploration of 8 Hybrid Literary Genres. Brookline, MA: Rose Metal Press, 2015.

Valens, Ana. Tumblr Porn. New York: Instar Books, 2020.

Wark, McKenzie. Raving. Durham, NC: Duke University Press, 2023.

Writing Activity, February 2023

Since January 2021, I’ve been keeping a list of my writing activity for each month (here’s last month’s). I do so partly as a form of encouragement for myself to show that I am still able to do some writing despite the energy-sucking terrors of the pandemic (Which is still going on! Keep wearing masks!), and partly as an archive that I can look back on in the future. As such, I will include negative happenings (e.g., receiving rejections), not just positive ones.

I think that it is important for me to share my list publicly as a queer disabled Latinx writer because mainstream discourse tries to either pretend voices such as mine do not exist or actively tries to suppress them. Whether one is part of a marginalized group or not, writing is an essential act of resistance in these terrible times, so I hope that my list offers encouragement to others.

The list is basically in chronological order. Despite being the shortest month, it was a productive one!

1. Wrote a haiku or senryu on most mornings.

2. Updated the Mennonite/s Writing Bibliographies.

3. Received and responded to copy edits from my publisher for my forthcoming book Ethics for Apocalyptic Times: Theapoetics, Autotheory, and Mennonite Literature, which is scheduled to come out in November.

4. Worked on my MFA thesis with my advisor and had a chapter workshopped by my classmates.

5. Submitted ten poems to Kingfisher and had one accepted for the April issue.

6. Had a haiku published in the Winter-Spring 2023 issue of Modern Haiku: “leaves turning another medical bill.”

7. Had a paper proposal I sent to a conference rejected.

8. Submitted a short story to a journal.

9. Looked over proofs for a forthcoming personal essay.

10. Submitted an abstract for a hybrid essay to a proposed essay collection on autotheory.

Some Thoughts About My New Pronouns

I have just switched pronouns from he/they to they/multitudes, so here are some thoughts about what this change means.

1. I have ambivalent feelings about “coming out” with my new pronouns because such an action is usually a burden foisted upon those of us who do not fit neatly within the strictures of cisgender heterosexuality. However, as a writer I believe that words have meaning, and that it is important to be as precise with your language as possible. Therefore, it is important for me to offer others the most precise words to use when describing me.

2. I use “they” in place of traditional pronouns such as “she” or “he” as a refusal to be pinned down by a specific gender, which are constructions anyway.

3. “Multitudes” comes from section 51 of Walt Whitman’s poem “Song of Myself”: “I am large …. I contain multitudes” (ellipsis in the original). It signifies that I include aspects of multiple genders, including but far from limited to masculinity, which is why “he” no longer feels like it fits me.

4. These new pronouns mean that I am also now using “genderqueer” to describe myself. In The Queen’s English: The LGBTQIA+ Dictionary of Lingo and Colloquial Phrases, Chloe O. Davis defines this term as someone who does not use “the conventional labels of female or male [and who] may relate to both genders, express gender ambiguity, or refrain from expressing any gender at all.” As multitudes, I express gender ambiguity by expressing multiple genders at different times. My gender is a wave and a particle that cannot be measured simultaneously.

5. In case you are keeping score at home, this means that I define myself in the intersection of my gendered and sexual selves as a kinky genderqueer bisexual. Of course I define “bisexual” in the inclusive sense, synonymous with “pansexual”: I am attracted to people of all genders.

6. Many folx who are genderqueer or use “they” also use “nonbinary.” I’m glad that many people find this term meaningful, but I do not use it because to me it sounds like the middle of a spectrum between female and male. It still uses the binary to locate itself. Rather than being a middle place on a continuum, my gender is an octopus, fanning out in all directions, and “genderqueer” does a good job describing this diffusion.

7. Lastly, remember that genderqueerness does not equal an androgynous appearance, though for many folx they may coincide. I’m keeping my beard because it has deep spiritual meaning for me even though I realize this choice will probably lead to frequent misgendering. Just before the pandemic I was beginning to experiment with some more stereotypically feminine clothing and accessories, and then the pandemic hit and I stayed inside wearing sweatpants and t-shirts or hoodies for a year, and now, amidst the cumulative and continuing stress of pandemic life, fashion feels like a complete puzzle to me. I’m not sure where my style will end up, but for now nothing much will change (if for no other reason than I am a graduate student without money for a new wardrobe, ha!).

Book Acquired Recently: Salman Rushdie’s Victory City

Rushdie, Salman. Victory City. New York: Random House, 2023.

Salman Rushdie’s latest novel was released on Tuesday, so yesterday I stopped by Shakespeare & Co. in Manhattan and bought a copy. Everyone who cares about freedom of expression should buy it as one way to repay our debt to Rushdie for his decades-long continuing defense of free speech despite a terrible personal cost.